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The New York Times profiles Missy Mazzoli, composer of

The New York Times profiles Missy Mazzoli, composer of “Proving Up”

Zachary Woolfe interviews Missy Mazzoli, a composer who “has that contemporary musical miracle: a hotly anticipated third opera, a voice intriguing enough to seek out again and again.”
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07/11/18

New Work Commissioned by Miller Theatre This Season

For our 30th Anniversary Season, we shine a spotlight on six artists we have commissioned to create new works, which will premiere at Miller.

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05/14/18

The New York Times on Miller’s 30th Anniversary Season

The coverage highlights the New York premiere of Proving Up, along with a focus on Miller’s dedication to commissioning new works.

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04/19/18

03/05/18

The New Yorker includes Frederic Rzewski Composer Portrait in their Spring Preview

“...the spotlight is on works for string quartet at Miller Theatre.”

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03/05/18

Composer Portrait of Ann Cleare chosen as one of “The Week’s 8 Best Classical Music Moments”

The New York Times included the March 1 Composer Portrait, featuring the International Contemporary Ensemble, in their week’s selection.

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12/07/17

The New Yorker features the Horn Virtuosos of Genghis Barbie performing a Pop-Up Concert on Dec 11

Highlighting the December 11 “Ugly Holiday Sweater Party” Pop-Up concert featuring Genghis Barbie.

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10/17/17

The New Yorker previews Soundscape America

The New Yorker highlights Soundscape America, featuring the JACK Quartet, in a preview focused on Ruth Crawford Seeger.

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09/13/17

Soundscape America and Composer Portraits series featured in New York Times Season Preview

The New York Times featured Miller Theatre in their picks of the classical music season.

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05/09/17

The New York Times on Miller’s 2017-18 Season

Six living composers have been deemed ready for their close-ups in this season’s vital Composer Portraits series.

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04/10/17

The New York Times Praises Johannes Maria Staud Composer Portrait

“On Saturday, the deep dive into Mr. Staud displayed his talent for blazing contrasts, a flair for drama that a cursory listen might have you mistake for mere grabs at attention.”

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