Upon her 1993 recital debut, Marilyn Nonken was heralded as “a determined protector of important music” (New York Times). Since then, she has been recognized as “one of the greatest interpreters of new music” (American Record Guide). Writes Fanfare: “Her voicings are exquisite, her pedaling throughout is a model to be studied, and, when necessary, her virtuosity is equaled only by the insight and passion with which every piece is imbued.” (2015) Since 2006, she has been Director of Piano Studies at NYU’s Steinhardt School, where she is currently Associate Professor.
Her performances have been presented at venues such as Carnegie Hall, Lincoln Center, Miller Theatre, the Guggenheim Museum, Neue Galerie, (le) Poisson Rouge, and Roulette (New York), IRCAM, Reid Hall, and the Théâtre Bouffe du Nord (Paris), the ABC (Melbourne), Logos Foundation (Ghent), Instituto Chileno-Norteamericano (Santiago), Chicago Cultural Center and Symphony Center, Barnes Foundation (Philadelphia), Phillips Collection (Washington DC), Menil Collection and Rothko Chapel (Houston), and conservatories and universities around the world. Festival appearances include Résonances and the Festival d’Automne (Paris), When Morty Met John, Making Music, Works and Process, and Composers Now (New York), American Sublime (Philadelphia), The Festival of New American Music (Sacramento), Musica Nova (Helsinki), Aspects des Musiques d’Aujourd-hui (Caen), Rencontres Musicales de Jaugette, ATEMPO (Caracas), New Music Days (Ostrava), Musikhøst (Odense), Music on the Edge (Pittsburgh), Piano Festival Northwest (Portland), NUNC! (Chicago), Unruly Music (Milwaukee), and the William Kapell International Piano Festival and Competition. Composers who have written for her include Milton Babbitt, Michael Byron, Richard Carrick, Victoria Cheah, Jason Eckardt, Michael Finnissy, Michael Kuehn, Liza Lim, Tristan Murail, Christopher Trapani, and Nina C. Young.
A student of David Burge at the Eastman School, Marilyn Nonken received a Ph.D in musicology from Columbia University. Her monograph The Spectral Piano (Cambridge University Press, 2015) has been received as “a screaming success….Few books can boast as much, and it is gratifying to encounter an international concert performer who can make so engaging a discourse around her core repertoire.” (Bob Gilmore, Tempo). She has also written chapters for Perspectives on the Performance of French Piano Music, Messiaen Perspectives, and the forthcoming Messiaen in Context and Oxford Handbook of Spectral Music; served as a guest editor for Contemporary Music Review, and contributed articles to numerous journals. Her second book, Identity and Diversity in New Music: The New Complexities, is forthcoming from Routledge in 2019.
A Steinway artist, Marilyn Nonken has recorded for New World Records, Mode, Lovely Music, Albany, Metier, Divine Art, Hanging Bell, Harrison House, Innova, CRI, BMOP Sound, New Focus, Kairos, Tzadik, and Bridge. Forthcoming recordings include Morton Feldman’s complete works for violoncello and piano, with Stephen Marotto (Mode).