David T. Little is “one of the most imaginative young composers” on the scene (The New Yorker), with “a knack for overturning musical conventions” (The New York Times). His operas Dog Days, JFK, and Vinkensport (librettos by Royce Vavrek), and Soldier Songs have been widely acclaimed, “prov[ing] beyond any doubt that opera has both a relevant present and a bright future” (The New York Times).
Other recent works include the earthen lack (London Sinfonietta / BGSU), The Conjured Life (Cabrillo Festival / Cristian Macelaru), Ghostlight—ritual for six players (eighth blackbird / The Kennedy Center), AGENCY (Kronos Quartet), and dress in magic amulets, dark, from My feet (The Crossing / ICE). Little is currently composing a new opera with Royce Vavrek, commissioned by the Metropolitan Opera / Lincoln Center Theater New Works Program, and the music-theatre work Artaud in the Black Lodge with poet Anne Waldman (Beth Morrison Projects). This season, JFK makes its European debut at Staatsteater Augsburg, and Soldier Songsreceives its German premiere in Saarbrücken.
Little’s music has been presented by the LA Philharmonic, Carnegie Hall, LA Opera, the Park Avenue Armory, Holland Festival, BAM’s Next Wave Festival, and Opéra de Montréal. He has previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and currently chairs the composition program at Mannes–The New School. From 2014–2017, he was Composer-in-Residence with Opera Philadelphia and Music-Theatre Group. The founding artistic director of the ensemble Newspeak, Little’s music can be heard on New Amsterdam, Innova, and National Sawdust Tracks labels. He is published by Boosey & Hawkes.