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The New York Times: The Uninhibited Joy of Caroline Shaw's Music

The New York Times: The Uninhibited Joy of Caroline Shaw’s Music

Caroline Shaw’s Composer Portraits performance on February 6 was reviewed by Joshua Barone for The New York Times.
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The Spirit interviews Melissa Smey about Miller Theatre

The Upper West Side’s local paper, The Spirit, features an interview with Melissa Smey on how she is out to change conventional perceptions of classical music with programming at Miller Theatre.

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The New York Times profiles Hannah Lash and the world premiere of “Desire”

In advance of the world premiere of Desire on October 16 & 17 at Miller Theatre, Ryan Ebright of The New York Times interviews composer Hannah Lash about her newest chamber work.

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The Path to Vijay Iyer’s Composer Portrait

Executive Director Melissa Smey discusses Vijay Iyer’s upcoming Composer Portrait on October 24, featuring violinist Jennifer Koh and The Knights.

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The New York Times Fall Preview Highlights ‘Composer Portraits’ & ‘Desire’

Miller’s signature series and Hannah’s Lash’s new chamber opera included in “10 Months of Classical Concerts You Won’t Want to Miss.”

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Melissa Smey on Anthony Braxton at 75

Executive Director Melissa Smey discusses Anthony Braxton’s upcoming Composer Portrait on September 25, which launches the 20th season of Miller’s flagship series.

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“Tales from the Mano River” Transforms Miller’s Lobby

Brooklyn-born artist Adama Delphine Fawundu transforms the lobby of Miller Theatre with a new installation, Tales from the Mano River, made of composited images of the Mano River in West Africa.

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The New York Times on Miller’s 2019-20 Season

Miller Theatre today announced its 2019-20 Season, and The New York Times featured the exciting season ahead.

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20 Years of Composer Portraits and 10 Years as Executive Director

Melissa Smey discusses the 20th Anniversary of Composer Portraits and her 10th year as Miller’s Executive Director with writer Lara Pellegrinelli.

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The New York Times: “A Composer’s Redacted Music and Raucaus Noise”

Zachary Woolfe reviews David T. Little’s Composer Portrait: “...crushing sonic violence coexist with oases of serene lyrical beauty…”

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The New Yorker: “The Shape-Shifting Music of Tyshawn Sorey”

An outstanding review of Tyshawn Sorey’s Composer Portrait by Alex Ross, who calls Sorey a “defiant identity on the border between classical music and jazz.”

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